Produced by Bristol sound co-founder the musician-producer, this scabrous though slight debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in another flashback tries to burgle his own family home. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are insufficiently developed to properly prime us for what to expect when the Woodsman arrives, enraged after David kills his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, determined to dousing him instead in resentful talk. Williamson, exuding ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Sensibility
There is only one important plot development, but it results in a hilariously staged chaotic run on the woodland paths that dips close to folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was focused intently doing impressionistic closeups of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film releases in UK and Irish theaters from 17 November.
